The Winsor Newton Watercolour Field Kit
I love to travel, and I love to sketch. So I always take my watercolour paints and a sketchbook with me when I am on the move.
Although I have several different travel palettes, one of my favorites is the Field Kit sold by Winsor Newton.
I love how compact it is; and for something so small, it sure packs in a lot of features. When unfolded, you end up with three mixing surfaces, and a water reservoir attached to one end of the kit. The finger loop on the back allows you to securely rest the entire paint box in the palm of your hand.
The Field Kit also contains a small flask for carrying water, and a small paint brush nestled in the box. I personally find that paint brush too small for my purposes, and I often carry extra water in another bottle. However, for small sketches and quick adventures, the flask and brush will get you going.
The kit comes pre-loaded with pans of Winsor Newton pigments. However, I usually pop those out, and refill the pans with colour from my own tube paints. That way, I can be assured that I am carrying the colours I most like to use. Once set, the tube colours travel well, and are readily reactivated with a spritz of water.
On Monday November 27, the Artists’ Workshop is going to be holding a one day only Open Studio Show and Sale at our studio space at the Grace Westminster Auditorium. The studio will be open from 11 am to 9 pm. We will also have many of the artists working, so you can see our newest works in progress. Please come by, chat with us, and ask questions.
Spotlight on ~ Lorraine Khachatourians
This year I am looking more and more at colour, that is, how to represent the colours I see in the various objects I enjoy painting, in way that comes closest to how I see them. Over the past few months I have been paying more attention to the characteristics of colour and how to recreate them from the pigments in the paint. It is like solving a puzzle or a mystery, both of which I have always enjoyed. Below are photos of both works in progress of my favourite subjects, fruits and metal reflections, which you will be able to see completed at our open studio, and some finished pieces.
I have never been a painter of local landscapes. While houses and buildings, trees and skies are recurring subjects, they are figments of my imagination, realistic-enough looking, but wonky and whimsical. I hope that my artwork uplifts the spirits, is a source of comfort and tranquility, and reinvigorates a sense of the sacred.
For many years I focused on mandalas, a wonderful vehicle for colour and detail. Several years ago I returned to an earlier love: pen-and-ink, this time in the meditative Zentangle® style using structured patterns. Currently, my work is moving towards more mixed media.
People sometimes comment on one of the witty titles. I think titles are important and I hope never to call a piece “Blue Square #14”. Usually a title pops to mind quite early in the process, which is fine if that’s a direction I want to go!
Colours, patterns, visual textures and designs thrill me. I love how a line can change from chubby to hairline and back again. Prairie sunsets, fireworks, and night skies full of stars leave me speechless. I am enchanted by small things and details, and fascinated by how the very large and the very small are so very similar. I love translucence and coloured glass and light in water and sparkly things. Perhaps I would have been a good magpie.