Artists’ Workshop News

Opening today at the QEII Art Gallery at Government House, Regina is the show ‘Bridging’, featuring many of the members of Artists’ Workshop. We envisioned this theme as follows:

Bridging is a way to diminish our differences and maximize our connections. Sharing art from the heart helps span life’s gaps – in time, space and understanding. As we build bridges, we shift perspectives, strengthen relationships, and shape community.

In this collection of paintings created by members of Saskatoon’s Artists’ Workshop, the bridging theme is interpreted in a myriad of ways. Each piece is accompanied by a description sharing how the artists connect the works to the concept of bridging.

The show is inspired by a wide range of subjects: from streetscapes to natural landscapes, city and country life, flora and fauna, the change of seasons, the passage of time, and of course bridges in their many forms and settings.

You’ll find works created in a wide range of media including: oils, acrylics, watercolours, pastels, graphite, ink, collage, and fibre. This diversity in form of expression is one of the hallmarks of the Artists’ Workshop which is celebrating its 30th anniversary year in 2019-20.

Members of the group are selected through a juried process that requires a high level of skill, a track record of success, and a strong commitment to collegiality in the practice of art.

The gallery, at 4607 Dewdney Ave, Regina, is open to the public Tuesday to Sunday, 9 AM to 4 PM.

If you are in the Regina area, please come and meet the artists at the reception, Saturday Oct. 26th, from 1:30 to 3:30. The show runs until January 12, 2020.

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In addition, we wish to inform you that Artists’ Workshop Saskatoon will not be having a November show and sale this year. Instead we will be focussing our creative growth and development over the winter months. We look forward to bringing you our best at the Annual Spring Show and Sale. Mark your calendars now for May 1, 2 and 3, 2020!

Bridging ~ Lorraine McGrath

It took me a while to see where the idea of bridging fit with my art. And then it came to me as I was working on a new painting, of a subject completely new to me. This subject presented itself to me because of new directions my life has been taking over the past year. A major life change presented an opportunity to realize something I’d often thought of, the chance to live back on the west coast. So I rented an apartment for a year to start with and have been going back and forth over the winter.

I grew up out there but have been away almost 50 years, so it has been a rediscovery of the old and the new. Seeing it from the viewpoint of art making is also new, and I have been inspired by the new/old landscape of the coast. Exploring new subjects which have caught my attention has renewed my imagination and exploration.

As part of these new changes, you will notice that I have also gone back to my original name of McGrath. So my way of seeing as a painter, a moving those visions to painting has been the bridge between my past life and the life I am now making for myself. The amazing support and love of my dear friends and family has made this transition possible and I am so grateful for them. So onward!

As a post script, the new subject I was working on is the painting here of the heron. I’ve not done any kind of animal or bird before, particularly in a landscape, and I have been quite pleased with my first attempt.

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Bridging ~ Sharron Schoenfeld

Bridging – Do you see what I see?

Hmmmm, probably not! I see the world in a unique Sharron way. Some see a sky that isn’t blue, and a sun that doesn’t shine as a gray and gloomy scene. I see a mauve, blue-violet and silver sky, backlit trees and buildings edged in bright highlights. Some see the shoreline as water, trees and rocks and more water, trees and rocks. I see soft, lazy ripples of water, golden backlit trees and sunbathed dappled rocks as my canoe meanders and passes by. The next dip of my oar will change the scene again into something new and unexpected.

My paintings are a reaction to what I see and feel about nature, places and people. I have a desire to connect and recreate these things through my art.

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Artist’s Toolkit ~ Lorraine Khachatourians

I spent some thinking about what might be in my toolkit that I rely on the most. Brushes, paints, panels? Then it occurred to me that what I use the most, and is the basis for creating any work are my eyes. When I began to learn about painting and drawing, I realized I needed to look at the world differently, not just gazing around, but looking carefully, studying light and shape and colour and how it all came together in something that would be interesting to paint.

Now, it has become second nature to be looking for that special combination of light, shape and colour that I want to paint and share with others. And it can be anything, from the jars of marmalade I had just made, sitting on the counter when the January sun came through the window to light them up, to the beautiful giant lotus blossom I came across at Boffin’s gardens on a walk there. I just never know what I’ll see next.

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My Favourite Things ~ Paige Mortensen

My favourite things in my artist toolkit are my irons. Watercolour batik is all about the wax, and to be useful the wax needs to be melted. First I have a small encaustic iron that folds down to make a small skillet for melting the wax. I then use sponges, brushes or stamps to put the melted was onto my paper. This keeps the colour and allows me to build up layers of wax and watercolour until I finish the piece. Then, I need to get the wax off. To do this I put the piece between layers of newsprint and iron so that the wax comes off onto the newsprint. This is the most exciting part of my process!
I will have an iron at our Open Studio Show & Sale on Monday, November 26th at Grace Westminster Church 505 – 10th Street East. Come see it in action between 11 am and 9 pm!
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Art Toolkit Favourite ~ Molly Clark

What I listen to while I work is as important as any of my painting tools; it sets the tone for the work at hand. I remember how easily a set of landscape paintings came together while listening to Ian Tyson songs about the northern plains. Hearing author Stephen Jenkinson’s musings on heritage makes me think about a scene I’m painting and what it might have looked like generations ago. Creating art alongside an audiobook or podcast, learning while painting, killing two birds with one stone as they say, makes for productive days.

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My Favorite Thing ~ Patricia Katz

The Winsor Newton Watercolour Field Kit

I love to travel, and I love to sketch. So I always take my watercolour paints and a sketchbook with me when I am on the move.

Although I have several different travel palettes, one of my favorites is the Field Kit sold by Winsor Newton.

I love how compact it is; and for something so small, it sure packs in a lot of features. When unfolded, you end up with three mixing surfaces, and a water reservoir attached to one end of the kit. The finger loop on the back allows you to securely rest the entire paint box in the palm of your hand. 

The Field Kit also contains a small flask for carrying water, and a small paint brush nestled in the box. I personally find that paint brush too small for my purposes, and I often carry extra water in another bottle. However, for small sketches and quick adventures, the flask and brush will get you going.

The kit comes pre-loaded with pans of Winsor Newton pigments. However, I usually pop those out, and refill the pans with colour from my own tube paints. That way, I can be assured that I am carrying the colours I most like to use. Once set, the tube colours travel well, and are readily reactivated with a spritz of water.

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Open Paint Kit